Those companies are: Aardman, Big Talk Pictures, Cloud Eight, DNA, Ealing Studios, Ecosse Films, Heyday, Hammer, Number 9, Recorded Picture Company, Revolution, Ruby Films, Seesaw and Vertigo.Īardman Animations – Peter Lord, David Sproxton, Nick Parkīristol’s Aardman has won four Oscars, and over the past 40 years has established itself as a world leader in model animation. They are companies that make one or two films a year – some of which, like The King’s Speech or Slumdog Millionaire, become global phenomena. The top-tier of film production companies would then comprise about 15 other outfits. Fully funded by Universal Pictures, it feeds prestigious films with a British and European sensibility straight into Hollywood. Having produced over 100 films and generated over $5bn at the global box office, the producer of Notting Hill, Elizabeth, United 93 and Green Zone is on a completely different scale to other production companies here. We’ve chosen to list them alphabetically, but if we did try to rank them, it’s clear that Working Title would sit at the very top of the list. The companies vary considerably in size and scale. Missing from the list are companies that are owned by broadcasters (like FilmFour and BBC Films) as well as outfits that are predominantly distributors (Lionsgate, Pathe) or financiers (Prescience, CinemaNX). They are not just producers for hire – rather they are producers who look for and develop scripts, attach talent to projects, raise finance and risk their own money in films that they believe in. The companies selected are those that have a track record of making films that attract box office, critical acclaim and awards. The UK’s talent pool – so evident as you scan the lists of top directors, producers, DoPs, vfx houses and studios in this film special – provides a solid base to make acclaimed UK films and reassures Hollywood that its big budget shoots are in good hands here.īelow is a list of the top 40 film production companies in the UK, which has been compiled with help and feedback from a number of leading film producers, agents and film PR executives. Most importantly – and as the following pages demonstrate – the UK boasts a wealth of world class filmmaking talent and a respected film heritage. In particular, the UK has benefited from the existence of a stable and easily understood film tax credit system that can deliver up to 20% of budgets. The UK does have, however, several factors in its favour that increase its chances of hitting this global jackpot. The jackpot pays out more, but the chances of hitting it are getting less.” Citing the box office rewards of The Inbetweeners and The King’s Speech, he said: “It’s like a one arm bandit. In particular, financing and getting films made has not become any easier.įormer UK Film Council chairman and ex-Polygram boss Stuart Till summed up the situation neatly last month at a Bafta debate on the future of independent production. The UK is also a magnet for big budget Hollywood shoots, with features such as Prometheus, Snow White and the Huntsman and John Carter employing thousands of crew.īut it’s still an industry that remains as tough as ever in which to do business. Home grown hits such as The King’s Speech and The Inbetweeners have delivered awards and huge box office. The British film industry is currently enjoying the best of times and the worst of times. To mark the opening day of Cannes, here’s an exclusive round up of the UK’s top 40 film production outfits taken from Televisual’s May 2012 issue. (For an updated, 2013 version of this article click here)
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